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| Edward Hopper | 
 enlarge | Authors: Carol Troyen, Judith Barter, Elliot Davis, Edward Hopper
Publisher: MFA Publications
Category: Book
List Price: $65.00
Buy New: $40.95
You Save: $24.05 (37%)
Buy New/Used from $29.00
Avg. Customer Rating:  (9 reviews)
Sales Rank: 77506
Languages: English (Original Language), English (Unknown), English (Published)
Media: Hardcover
Number Of Items: 1
Pages: 288
Shipping Weight (lbs): 4.1
Dimensions (in): 11.3 x 10.8 x 1.1
ISBN: 0878467122
Dewey Decimal Number: 759.13
EAN: 9780878467129
ASIN: 0878467122
Publication Date: June 1, 2007
Release Date: June 1, 2007
Availability: Usually ships in 1-2 business days
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Product Description
One of the most enduringly popular painters of the twentieth century, Edward Hopper produced many works now considered icons of Modern art. Canvases such as Drugstore, New York Movie, and the universally recognized (and often parodied) Nighthawks not only reshaped what painting looked like in America, but created a visual language for middle-class life and its discontents. This extensive new assessment of Hopper, which accompanies a major traveling exhibition, examines the dynamics of the artist's creative process and discusses his work within the cultural currents of his day--examining the influence not only of other painters, but also of such media as literature and film. And while most studies have tended to see Hopper as the great painter of alienation, this one takes a much broader, more nuanced, and ultimately more representative view. Spanning the entirety of Hopper's career, but with particular emphasis on his heyday in the 30s and 40s, Edward Hopper highlights the artist's greatest achievements while discussing such topics as his absorption of European influences, critical reactions to his work, the relation of Realism to Modernism, the artist's fascination with architecture, his depiction of women, and the struggle in his last years to produce original works. Illustrated with over 150 oils, watercolors and prints, and including essays by several noted scholars in the field and an extensive chronology and bibliography, this is the most comprehensive volume on Hopper produced in the last decade.
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| Customer Reviews: Read 4 more reviews...
The 'Mind your own business' attitude I love so much. A gorgeous book. October 11, 2008
A pre-New Deal Republican, the quintaessential American painter, the painter of the Anglo-Saxon mood. I always liked Hopper's style without knowing why. After reading this book -and enjoying its beautifully binding quality, I like him even better.
His uncompromising confidence in his own art, his unbending individualism, his unashamed faith in the Anglo-Saxon quality of America, that which America-haters like to pinpoint most, all make him an icon of Americannes.
He was against the subsidizing trends the Federal Government took under Roosevelt, the Socialist take over of America under the harmless name of New Deal. While the world was doing propaganda (like celebrities do today), he stuck to his gut instinct, his uncompromising art. Should be a heroe of the people against big government today, a heroe who resisted the monopolizing tentacles of the Socialist New Deal. The Republican Party may have betrayed Conservatism, but Hopper sure didn't.
His "rejection of foreign influence and reengagement with American themes" set him aside (and I would say over) the rest of American painters of his time. And he was no flag waver either. He sold his soul to nobody. He was "successful enough in the 30's not to need the help of these federal programs". While writers like Dos Passos were depicting characters as pawns of business, he believed "in a social contract on individual liberties and property." His characters "like the artist himself ... are silent, absorbed in their own thoughts, lost in their own worlds." And that's exactly it: It's THEIR OWN worlds, not the worlds others would have them live in; it's like if you tried to peek into their lives and bumped into a sign that read: 'Don't trespass', or 'Mind your own business', or 'Don't mess with Texas', that I love America for so much.
Hopper's America is dead alright, since Roosevelt's New Deal came at full throttle. But it still glows in the hearts of individual men, and not necessarily they have to be Anglo-Saxon anymore. The world owes America at least that much.
 Good Comprehensive look at a great artist July 19, 2008
Wonderfully presented book of a great artist. Personal and career information is contained in a nice format. Art is described in the context of the time and the artist - his influences, the influences of the time.
A desirable publication February 7, 2008
5 out of 6 found this review helpful
The book was published on the occasion of the exhibition: "Edward Hopper", organised by the Museum of Fine Arts, Boston; the National Gallery of Art, Washington, DC; and the Art Institute of Chicago, 2007-2008. It comprises a series of nine essays by different writers, and concludes with Notes, a Chronology, a Checklist and Figure Illustrations and a Selected Bibliography.
This is a handsome volume large in size and almost square in format, illustrated throughout predominately in colour. The informative essays, each dealing with a specific period or genre, discuss the artist, his work and his methods, are illustrated throughout, with the relevant works appearing on or close to the page on which there are discussed. The illustrations are excellent, virtually full colour throughout, the black and white images being mainly drawings or period photographs. Many of the paintings are reproduced half or full page size, with a few full page bleed images of a detail from selected paintings. The quality of reproduction is excellent, often revealing the brush work and surface texture, and the colour rich and vibrant. In total there are 202 illustrations of which 180 are in full colour, they represent works in oils, watercolours and prints. A very desirable publication.
An Excellent Look at Hopper September 4, 2007
16 out of 18 found this review helpful
One of the highlights of my summer was attending the Hopper exhibition at Boston's Museum of Fine Arts, for which this volume (published by the MFA) was the companion text. At 288 pages, mostly filled with suberb reproductions of Hopper's paintings and sketches, this volume is comprehensive enough for even the most devoted Hopper fan. Perhaps only Gail Levin's "Catalogue Raisonne" offers a more comprehensive look at the artist. No matter how many art books you may own, clear a spot on your shelf or coffee table for this one. You will not be disappointed.
Edward Hopper August 1, 2007
2 out of 8 found this review helpful
Edward HopperThis book is a great presentation of the outstanding Hopper exhibit at the MFA/Boston. Well worth seeing.
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