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| John Currin | 
 enlarge | Authors: Alison M. Gingeras, Dave Eggers, John Currin
Creators: Gagosian Gallery, Norman Bryson
Publisher: Rizzoli
Category: Book
List Price: $150.00
Buy New: $94.50
You Save: $55.50 (37%)
Buy New/Used from $59.00
Avg. Customer Rating:  (8 reviews)
Sales Rank: 54756
Languages: English (Original Language), English (Unknown), English (Published)
Media: Hardcover
Number Of Items: 1
Pages: 382
Shipping Weight (lbs): 7.2
Dimensions (in): 13.6 x 10.5 x 1.7
ISBN: 0847828654
Dewey Decimal Number: 759.13
EAN: 9780847828654
ASIN: 0847828654
Publication Date: December 5, 2006
Release Date: December 5, 2006
Availability: Usually ships in 1-2 business days
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Product Description
One of the leading figurative painters of his generation, Currin's influences range from Italian and Northern Renaissance paintings to popular illustrations from the mid-20th century. Whether portraits of older women, buxom girls, nudes with elongated bodies, or group scenes of domestic life, his works are characterized by baroque gestures, loose brushstrokes, unorthodox palettes, and detailed backgrounds that startle the viewer into a reconsideration of the tradition of painting. His "old master" techniques and individual style have earned him accolades from critics and collectors worldwide.
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| Customer Reviews: Read 3 more reviews...
 The best of John Currin October 16, 2008
This book is beautiful and comprehensive. There are many images of his in it that I hadn't seen before, and I really like that it shows studies, drawings, and influential material for his paintings.
beautiful book April 8, 2008
0 out of 2 found this review helpful
really enjoyed the book. great reproductions and lots of insight into the artist's thought processes.
The Fantastic Awkward Nature of Existence June 6, 2007
7 out of 10 found this review helpful
The first time I saw some paintings by John Currin they appealed to me right away. I did not need a second look or to hear some long winded explination like from art school about why I should appreciate them. The simple fact is they connected to me and I picked up my first book on him.
He is an excellent painter but that is just incidental to his work. There are a lot of excellent painters in this world but skill alone does nothing for art. An artist has to have something to communicate, something to show beyond his talent as a painter or draftsman. John Currin definitely has something to show. He paints mostly women but that too I feel is mostly incidental. Men as a rule of thumb love to paint women. It's a tremendous lure to paint that which we find so beautiful.
To me, I love his work because with no more than a simple pose, or a well painted women with a heavily modeled pasty face, he is able to communicate the awkward nature of day to day life. Figures with uncomfortable inner thoughts and feelings show overly affected smiles or looks. Stamford After Brunch, Park City Girl, The Activists, and Brown Lady all have this feel to them. Something is lurking in the inner psyches of these people. Women they may be, but people they surly are and something is a bit off below the surface of their lives. The masks that we all put on are communicated with the actual heavily modeled pasty made up faces of some of the women.
There is also a restless longing in many of his paintings. Paintings such as: Lovers 1993, Lovers in the Country 1993, Portrait 1993, and The Never Ending Story. These paintings seem to show that something is missing from the lives of the men. In a few of them a woman is present but she seems to be there for her man, perhaps to help aid him in what ever way she can. The man in each case appears like some kind of bizarre perversion of Abe Lincoln meets Uncle Sam meets Colonel Sanders with some Mr. Rogers thrown in. These paintings, to me, have a very distinct American feel to them. All 4 paintings have clouds and appear to be set in large open spaces where the man is gazing far and wide while he thinks about what it is exactly that is missing from his life or his country. The men and women in the paintings may in fact be metaphors for America itself, looking lost like some odd flustered older man but with all the help and appreciation of a young mistress by his side.
Currin is most definitely pointing out what he likes and does not like about this world often in the same painting. Things are not clear cut black and white, good or bad, it's messier than that and more complicated.
Day to day life as a human is complicated. We all have these powerful brains and they ceaselessly function and generate thoughts and communicate ideas, impulses and urges almost all the time. I personally find life to often be quite awkward for people in general. Adulthood is mostly a veiled childhood where we think way too much about what others are doing, thinking, and how they are acting. many facades go up and come down. People see others and desire what they have, the spouce someone has, or their house, possessions, situation and the like. All the while we are bizarre animals with all sorts of odd functions that also function ceaselessly beyond our control. All the while we have the urge to sleep, eat, fornicate, and all this while we try and do better for ourselves and appear as normal as possible within the confines of what ever community we find ourselves in. For me John Currin's paintings show this day to day struggle we all have with the awkward nature of existence and the strains that having a large brain in a complex world put on a person with urges, and longings that often happen in direct contradiction to what is expected of one in this world, country, town, street, or home. Also there is the deeper thoughts that we mostly as a society tend to uncomfortably ignore. Where did we come from? Where did the universe come from? Why does anything exist at all? These thoughts are ones that as animals we are privileged to have. Still they have boggled man for ever and humans at home who are not great thinkers can contemplate this too. We all carry these unanswered questions around with us all the time. We may not know it but we carry a bit of fear with us as a result of these unanswered questions about existence and the universe every day. They are deep in the back of our minds. I sense this in some of Currin's paintings.
All this just scratches the surface of what I get from his paintings. Some of them are just beautiful portraits in their own rights and need not be viewed as more than that.
He is definitely one of the few great contemporary American painters alive today and he has his brush on the pulse of the odd facade that is exhibited with the awkward doppelgaenger that is writhing just below the phony surface of this country.
It is 5 stars to the book, but does the artist deserve such a book? April 8, 2007
2 out of 4 found this review helpful
A great art book, undoubtedly. It actually is a catalogue raisonne, with all the information needed on the provenance, the size and the medium. Now isn't it a bit early in Currin's career? At only 45 years old, he has yet to prove that he can stand the test of time. If you try to set aside all the hype that has been surrounding the artist (the "very dear" of the the art world, in every sense of the word "dear"), I am not sure that you will find his works worth the weight and the price of this beautiful monography...
 surprisingly disappointed February 22, 2007
13 out of 21 found this review helpful
I was so excited when the big package containing this book had arrived at my door, Currin has been one of my favourite artists and during recent years I had the pleasure of starring at many of his masterpieces from up close.
This may explain my disappointment with the selection of works & reproductions (yes, I do understand it is impossible to come close to the originals with 4 color printing, but the images in the book at least could have been larger, i dont need all this white space, and I guess theres a reason amazon didnt have a "look inside the book" for this one).
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