It was fishing that led the eminent painter to three of the locales with which we now associate his name: the Adirondacks in northern New York State, Florida, and Quebec. Each of these distinctive regions elicited unique and strong reactions from the painter, which took form in works that are brilliant studies of light, atmosphere, and the spirit of place. At his favorite fishing spots, Homer worked in the traveler's medium of watercolor, stretching it ever more boldly and unconventionally in order to convey the intensity of his experience of nature; his response to light and atmosphere peculiar to a given region, a specific season, and a particular time of day; and his feeling for the physical and psychological demands of his favorite sport.

However, each chapter is authored by a different writer and not every chapter is equally well-crafted. This individual essay format also thwarts any attempt to present a cohesive story arc.

In the end, I still wonder exactly why the outdoors meant so much to Homer; none of the author's fully or successfully explained that crucual detail.

Also, by limiting the book to fishing, the authors have excluded a major portion of Homer's sporting life and artistic inspiration. His hunting pictures are among his most commanding and they get little or no attention in this book. Sport of all sort seems to have informed Homer's life -- and art -- throughout the year; a book simply about his angling art therefore fails to provide a full picture of the man, his life, and his work.