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| The Way of the Brush: Painting Techniques of China and Japan | 
 enlarge | Author: Fritz Van Briessen
Publisher: Charles E Tuttle Co
Category: Book
List Price: $34.95
Buy New: $23.07
You Save: $11.88 (34%)
Buy New/Used from $19.85
Avg. Customer Rating:  (4 reviews)
Sales Rank: 362581
Languages: English (Original Language), English (Unknown), English (Published)
Media: Paperback
Number Of Items: 1
Pages: 329
Shipping Weight (lbs): 2.6
Dimensions (in): 10.1 x 7.5 x 0.9
ISBN: 0804831947
Dewey Decimal Number: 750
EAN: 9780804831949
ASIN: 0804831947
Publication Date: June 15, 1999
Availability: Usually ships in 1-2 business days
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Product Description
Examines the technique, style, traditions, and methods of ink painting. Covers every aspect of the art from brushstrokes to artistic philosophy.
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| Customer Reviews:
Asian Painting Techniques August 28, 2008
1 out of 1 found this review helpful
This is the second copy of this book that I bought. I purchased second as a gift for artist friend after buying one for myself. We are both painters; but, this is the type of book anyone can enjoy reading for its philosophy and appreciation of Asian art. A visual artist can learn much from the techniques of brush painting used in China and Japan. It is both poetic and visual.
Start here. Finish here. April 18, 2006
28 out of 28 found this review helpful
This is the best generally available book on Chinese and Japanese ink-painting in English of which I am aware. Why? Because it is not, primarily, a "how to" book. Yes, there are extensive examples of specific brushstrokes and characteristic forms and techniques, however they are by way of explanation and illustration, rather than instruction. There is much talk of history and aesthetics, but from a practical perspective; this is not, primarily, a book of art history or criticism. Rather, it looks at those things from the point of view of a painter, rather than an academic. While it's not an easy read, I would recommend this every bit as much for beginners as those with more experience.
So, why would this be useful for the beginning painter? While some authors would have you believe that Asian ink work is rooted in a spontaneous expression of feeling, and/or that a meaningful piece of art can be created with just a few, easily mastered, brushstrokes, these are extreme oversimplifications of the actuality of Asian art. Tossing a bit of ink on some rice paper may be spontaneous, but it isn't the same as the Spontaneous school of Chinese painting. In reading this book, which is admittedly dense and occasionally dry, the reader can gain a strong background in the traditions and aesthetics of ink painting. While learning basic brush control from a teacher or how-to book, "The Way of the Brush" will give you not just context and history, but an understanding of how to compose and construct a work -- how to put those brushstrokes together.
It could be said that this is not a book about how to paint in the Chinese and Japanese style, but how to look at a painting in the Chinese and Japanese style. In doing so, it also points the way towards seeing like a brush-painter. Unless you can see, not merely with your eyes, but with your mind, it is impossible to make the jump from brushwork to painting, from technique to art.
The essentials and beyond December 8, 2003
31 out of 31 found this review helpful
This is the book from which I learned sumi-e. It is well written, with wonderful examples. If one is seriously interested in the subject and in learning how to paint high quality works, it is the definitive work. The artist, P'u Ch'uan, who illustrates particular styles and strokes, is a master, providing some of the best examples one could hope for. The works of other artists in their instructional books pale by comparison; they fall into the "You too can paint a masterpiece in 60 minutes" sort of thing one sees on TV. Those are acceptable if you accept the limitations and set your sights accordingly. The standards set by this book are extremely high. The historical perspectives help a great deal in understanding not only the background of the art, but also in understanding the background of the strokes. These backgrounds are essential to more fully appreciating the work of others and in informing your own work. The great variety of styles and artists presented--contemparary and historical--help one to form one's own style. This book teaches both an appreciation of the art form and a sound basis for attempting it. I can't say I have mastered the form by any means, but working based on this book has been a rewarding experience. Highly recommended.
Excellent Chinese brush painting book! April 29, 2000
94 out of 95 found this review helpful
This is one of the best books about Chinese painting for those who want to understand not just Chinese painting techniques, but also something of the history and variety of traditional Chinese brush painting. The one drawback is the usage of the outdated Wade-Giles romanization (the book was first published in 1962), but that is merely a trivial annoyance compared to the wealth of information the author provides. Most instructional painting books are written by painters who focus on their own style, and give no credit to all the masters who have gone before them. This book shows many examples of paintings by master painters (ancient and modern), along with examples from the author's own teacher, master painter P'u Ch'uan. He thoroughly describes the different painting styles, with excellent examples, and many bibliographical references. I especially liked the fact that he gave 7 different versions of translations of "the Six Principles" of Hsieh Ho; by combining the common threads in all of them, their real meaning becomes clearer.Another subject he talks about, although briefly, is the importance of understanding brush strokes in order to be better prepared to deal with forgeries and copies. This subject is almost universally ignored in books on Chinese painting, and yet it is very important. I have seen a painting in a catalog from one of the big auction houses that on first glance looked like another one of Li Ke-ran's many water buffalo paintings, and was attributed to him by the (anonymous) seller. Upon closer scrutiny of the brush strokes used, it was obviously a fake. And I am by no means a true expert. If you are a beginner with no teacher to help you, then you will probably need other books, too. But for anyone who wants to learn about the history and traditions of Chinese painting, this is the ideal book.
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