Search
 Advanced SearchView Cart   Checkout   
 Location:  Home » Watercolor » General » Isaac Cruikshank and the Politics of Parody: Watercolors from the Huntington CollectionJanuary 8, 2009  
Categories
Watercolor
Oils
Pastels
Acrylics
Sketching
Portraits
Figure Drawing
Color
Art Videos
Art DVDs
Other Art Links
Canvas on Demand - Turn Your Photo Into Art on Canvas
$20 OFF your $200 order at Canvas On Demand - Use code LS226 at the Checkout.
Free Photos
Check out this directory of free stock photos!
Isaac Cruikshank and the Politics of Parody: Watercolors from the Huntington Collection
Isaac Cruikshank and the Politics of Parody: Watercolors from the Huntington Collection
enlarge
Creator: Edward J. Nygren
Publisher: Huntington Library Press
Category: Book

Buy New: $19.95
Buy New/Used from $15.95

Sales Rank: 1570456

Languages: English (Original Language), English (Unknown), English (Published)
Media: Paperback
Number Of Items: 1
Pages: 162
Shipping Weight (lbs): 1.6
Dimensions (in): 11.9 x 8.8 x 0.4

ISBN: 0873281470
Dewey Decimal Number: 741.5942
EAN: 9780873281478
ASIN: 0873281470

Publication Date: January 1, 1994
Availability: Usually ships in 1-2 business days

Editorial Reviews:

Product Description
Isaac Cruikshank and the Politics of Parody is a catalogue raisonne of Cruikshank's watercolors in the Huntington, the largest group of works by the artist in this medium. All 117 images, called "drolls" because of their comic themes and characters, are illustrated, along with the artist's notes and sketches on the verso of the originals. Cruikshank was a contemporary of Rowlandson and Gillray, and the father of George Cruikshank, the well-known illustrator of Dickens.
Cruikshank catches most of his subjects when they would least like to be observed. Whether the setting is public or domestic, disaster has struck, or is impending: a boat on its way to Vauxhall gardens capsizes near Westminster Bridge; a stampede of pigs en route to Smithfield Market overwhelms strolling shoppers; an inexperienced chef begins to prepare dinner by hurling onions at a live rabbit. The descriptions accompanying each image suggest the social and political background of these amusing depictions of life in eighteenth-century London. Satirical poems that accompanied published versions of the drawings, many of them theatrical afterpieces associated with well-known actors, are quoted in full. An introduction by Edward J. Nygren, former director of the Huntington Art Collections, explores the relationship of Cruikshank's satirical art to the contemporary theater.